A mudslide caused by heavy rain and forest clearance almost sweeps away the cabin at the foot of the wooded slope. But this is not the only upheaval in Nikitas’s life. Shortly after the landslide, a man on an off-road motorbike es racing through the forest and stops in front of Nikitas’s cottage. For the first time in twenty years, Nikitas’s son Johnny stands before him, demanding the inheritance that was left to him in his mother’s will, namely, fifty percent of the land on which the reclusive Nikitas is now living. At first, Nikitas ignores his son. But there is also a pany that is after the land; called simply “the monster” by the villagers, the firm wants to build a road here. To prevent the muddy ground from being pulled from under their feet, father and son have to dig deep into it. Together.Director Georgis Grigorakis sets his rain-drenched woodland Western against a majestic backdrop and finds robust yet tender images to tell this tale of rapprochement between two men. A story of resistance more powerful than the strongest excavator.

尽管《亚当斯一家》表现了戈麦斯和莫提西亚夫妇在一起时发出的沉重呼吸之声，然而研究这部电视剧的历史学家斯蒂芬·考克斯(StephenCox)还是指出是这部电视剧的竞争对手，《明斯特一家》中的恐怖人物，赫尔曼和莉莉夫妇成为真正首次被表现在同一张床上的人物，而这种表现在此之前是电视中不允许受到挑战的禁忌。